





Sakhile mentions how initially people would read Daily SASH and Daily Sun, emphasizing the ubiquity and familiarity of the posters, and as well as adding to this parody’s intentions. Not only does it reflect on a visual and textual reference, but it manages to unpack certain concerns of young people underneath the initial response to the humour.









The letter being sent to us at 5pm demanding that we reply by 6pm. After much consideration and strategizing we opted to carry on with the pop up but not the sale of the t-shirts, we instead decided to give the t-shirts away for free but customers would only be rewarded a free t-shirt after the purchase of a paper bag to the value of R300, thus we would not be having any financial gain on the t-shirts. This created some confusion with our customers but they soon caught on, it helped create more humour around the campaign and made our customers want them even more because they thought it was such a cool concept.
The Daily SASH project opens up an avenue to think about ownership, assuming that knock offs or parody items not only walk on thin ice legally but the idea that they also dilute the concentrate that is the original brand.. This takes the debate set out by an oldie to a new level – Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction, in which he critiques how copies or the reproduction of an original work results in the loss of the ‘aura’. This highlights the ease with which anything can be recreated, and how the line between inspiration or referencing and direct duplication can be quite thin.
Credits
Written by: Christa Dee
Photography: Kgomotso Neto
Models: Keneilwe Mothoa, Lindiwe Dim, Lubabalo Mxalisa, Sakhile Cebekhulu
Styling and accessories: Buhle Mbongwa